Raincoats on Dogs

Growing up in rural Georgia in the 1960s, folks were too poor for a lot of things. I daresay that if any of us had seen a raincoat on a dog—we would have laughed. Where we lived, people could not afford raincoats even for themselves.

Many pet owners never took their animals to the vet. They couldn’t afford that either. Our 4-H Club sponsored a rabies clinic once a year so folks could get their animals vaccinated. For a lot of dogs it was the only time in their lives that they saw a vet.

It probably stems from the “Lassie” TV series we watched as kids, but I have a lifelong love for collies. As a child, the closest I ever came to owning a collie was a neighbor’s black and white border collie that kept following me home until the owners finally let me keep it.

Then there was Prince, a part-collie stray dog that showed up at our house and stayed. He saved my life when the Hester’s horned cow cornered me against the side of the barn and charged. Prince leaped between us with ferocious growls and frenzied barking and bit the cow on her nose.

Along with “Kicker,” the killer cow, the Hesters were given a gorgeous tri-colored collie. I was jealous. I had wanted a collie dog like “Big Boy” for as long as I could remember. Somehow, Big Boy got hit by a car. He survived, but with a limping gait and an ugly cut across the end of his nose. Big Boy wasn’t my dog, but I loved him. He was a collie. I knew he needed veterinary attention, but the Hesters didn’t have money for that. In fact, in all the years I knew them none of the Hesters went to a doctor either. Their solution for injured animals was to spit tobacco juice on the wound or cover it with purple horse liniment. I begged my parents to let me take Big Boy to the vet since the Hesters couldn’t afford it. But my parents couldn’t afford it either.

People wearing ruined blue jeans that they purchased that way new confounds me. In my 1960s rural Georgia, we wore jeans like that because we couldn’t afford anything else. We wore our clothes until the holes would no longer hold a patch. I often went to school wearing tennis shoes that were held together with the thick rubber bands off the Sunday newspaper. It wasn’t “cool” or fashionable to wear jeans with holes in them—we were embarrassed—but we wore them anyway because it was all we could afford.

How times change. Nowadays, folks choose to wear ruined clothes—and pay big bucks for them—and dogs wear raincoats.

It is comforting to know that not everything changes. “For I am the LORD, I do not change.” Malachi 3:6.

Amazon.com: Stephanie Parker McKean: books, biography, latest update

Problems with Facebook

A lot of folks complain about Facebook. I never have. It’s free. Why should I complain about something when I’m not contributing to it?

I don’t know when it changed, because with writing new books and taking care of a husband who has blood cancer, Parkinson’s, and vascular dementia and is unable to weight-bear—plus walking a dog since we have no yard—I stay rather occupied. Sometimes it takes me several days to find enough free time to cut my fingernails.

The point is that I suddenly noticed that Facebook had changed my profile from author to “digital creator.” Now that is funny. Computers are as much of a mystery to me as math. What I know about computers is how to turn them on—and even that is iffy if it isn’t my computer—write a book, save it, and email it to my editor. I can even download the cover the illustrator sends me and send it to the editor. That’s all. I only visit internet sites if I am researching for a book. I don’t download anything on my 15-year-old laptop computer—which is running out of memory—and I don’t have a mobile phone, “smart,” or otherwise.

When I noticed the FB shift, I decided to rectify it immediately. Back to why it was so funny to designate me as a digital creator. I didn’t know how to change the change. Before I knew it, FB had changed it itself. It decided I was a government agency. With everything that is going on in the world at the moment, that’s not funny—it’s scary.

Changing it again was no easier than the first time because the computer program running Meta had no category for author. Authors must be an endangered species.

Now I finally have a working profile that fits me better—writer. I’ve dreamed of being an author all my life—at least from the time I was eight—so it seems a bit disappointing to settle for “writer” rather than “author”—but at least I’m not looking over my shoulder because I’m listed as a government agency—so I will return to not complaining about FB in spite of the seemingly random and unnecessary changes it makes constantly.

I have a new book coming out in a few weeks. A powerful, hard-hitting mystery that does not ignore the correlation between child abuse and crime. My FB label—writer or author—really doesn’t matter just so readers buy the book.

Labels change. People change their ideas about labels. One thing never changes. God. People give Him many labels, but He is the Lord God, Creator of the universe.

“He knows the way that I take; When He has tested me, I shall come forth as gold. He is unique, and who can make Him change?” Job 23:10 & 13.

No matter what label anyone or anything attaches to me, it can’t change what God created when He made me and called me to write books.

Amazon.com: Stephanie Parker McKean: books, biography, latest update

Marketing Midges

Achilles, the greatest of the Greek warriors in mythology and the hero of the Trojan War was defeated by a weakness in his heel. The term “Achilles heel” is used even today to refer to an otherwise strong person’s weakness.

Scots can be thankful that midges have an Achilles heel. Midges are small, nearly invisible flying insects that bite and irritate people and animals. Irritate relentlessly.
They fall in blinding clouds making life a misery. It is impossible to have a friendly blether (chat) with friends and neighbors on summer walks—because if one stands still—the horrible biting creatures descend. They get everywhere—even under woolly hats and up sleeves.

Thankfully, midges have am Achilles heel. They can be outdistanced if one walks quickly enough. They fly slowly. This gave me the idea of marketing midges. Just think: if midges can be caught, stored in boxes, and exported to other countries to stop political unrest—everyone wins. Open up the boxes, release the midges and the midge-miserable dissenters flee. This won’t restrict freedom of speech, but it will disperse fractious crowds. Meanwhile, capturing and shipping midges will build a new industry giving Scotland a venue for employment. It will boost the Scottish economy.

God looked down on His creation and proclaimed everything He made was good. Therefore, I think that scorpions, fire ants, and midges must have been introduced by God’s enemy. Satan must have emptied out some of the ugly, hurtful creatures from hell on earth in defiance after God threw him out of heaven for his treachery and rebellion. But whatever the devil does to make our lives miserable on a daily basis—God can take the worst and turn it around to use for our good.

Marketing midges could bring peace to protests by sending protestors fleeing from their obdurate stands to get away from the tiny tormentors.

If God’s promise from the Bible is true—and I know it is—“All things work together for good to those who love the Lord,” why shouldn’t the scourge of Scottish midges be turned into something profitable and good?

It’s an idea, that.

Amazon.com: Stephanie Parker McKean: books, biography, latest update

Living Life With a Whisper & A Song

I’m turning this week’s blog over to lovely and talented author Tonia Parronchi.

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Hey, Tonia! I’m honored to have you as a guest today. Could you tell us a bit about “Song of the Cypress” and “A Whisper on the Mediterranean?” What would you like readers to take away with them when they finish your books?

Hi, Stephanie, Thanks for asking me to join you here. When I write, I get completely caught up in the story I am weaving. “The Song of the Cypress” is completely imaginary. “A Whisper on the Mediterranean” is a memoir. So in some ways, the second was easier to write as I could check my diary as I went along. However, “Song” just flowed as I took daily walks through the beautiful countryside in my Tuscan valley which inspired the novel. Certain characters, such as Fiammetta, the old wise woman, took over my life and invaded my dreams, bombarding me with vivid images until I found a scrap of paper and wrote down what they wanted to say! I suppose that what I hope my readers will get from my books is a sense of place. I was an armchair-traveler for years and know how special it is to read about faraway places and add a bit of spice to an ordinary-seeming life (although I believe there is magic to be found anywhere if one opens one’s eyes and looks). If I inspire people to come and visit Italy to experience this wonderful country, so full of quirks and contradictions, that would be wonderful.

Tonia Parronchi (FILEminimizer)

You have amazing versatility as an author. “Song of the Cypress” is lyrical fiction, a poem in prose with a mix of mystery, romance, and suspense. “A Whisper on the Mediterranean” is a memoir. “Poppies” seems to be your life in poems. Do you have a favorite genre, or have you enjoyed writing each of them equally?

There is no doubt in my mind about my favorite genre, either as a writer or a reader, I love fiction. I had fun writing the memoirs (as you say, “Poppies” is a kind of poetic memoir), but I really fell in love with writing during “The Song of the Cypress.” As I said above, certain characters really took over my life. I felt that I was living two lives at times, my real one, and alongside that, my imaginary one. The characters that I created seem quite real to me, as if they are old friends that I have not seen for a while. I have just finished a second novel which has a completely different flavor, and it made me laugh as I wrote it. Fiction gives me a freedom to write whatever I want and it is such fun!

I’m so glad to hear about your new novel. I can’t wait to read it! Could you tell us a bit about it?

My new novel is called “The Melting of Miss Angelina Snow.” It is set in England, in Yorkshire and Lincolnshire, and follows the adventures of frosty, middle-aged estate agent Angelina Snow and the brave man who falls in love with her, Leonardo Marconi. Mr. Marconi brings Italy into the novel—there had to be something Italian in there after all! Both my main characters are cynical, sarcastic and hard to love. I really enjoyed their verbal battles and finding a way to let them fall in love. I have another novel which is really only vague ideas and a lot of post-it notes at the moment. It is to do with the sea, a woman whose life is influenced by water. There is a mermaid or mythical creature deep within each of us, I think. It is hard to pin down the element of water and fascinating to write about but I am still playing with it

When did you start writing? Was it something that was born in you, or something that developed?

I remember a short story I wrote when I was about 10, about a ghost in a castle. I think my mother still has it somewhere! I was forever scribbling things down, and so I suppose I always wanted to be a writer. It was only when I met my husband, though, and he encouraged me to stop talking about it and start writing that I really began. Now I can’t imagine doing anything else.

What was your first success? And, conversely, did you have any failures?

Getting a publisher (the lovely Sunpenny) for “A Whisper on the Mediterranean” was my first success. Before that I had, as most of us writers do, a nice folder full of depressing rejection letters. I can honestly say that the day I first held my finished book in my hands was one of the best in my life. I kept wandering over to it, picking it up and stroking it lovingly and had a silly smile on my face all day.

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You were born in the UK. What took you to Italy? Do you think of it now as your forever home? “Song of the Cypress” paints a poignant thumbnail sketch of Italy. Is the beauty and drama of the land why you call it home? Or is it some other reason?

I moved here because I met Guido and moved in with him, in Rome in 1990. I feel a bit like a fish-out-of-water in the UK, and Italy, really. I have been in Italy for so long that it has become home, but England is forever in my heart and I don’t fit in either place properly. Maybe that is what allows me to write about both places with understanding and complicity but still be an observer, on the outside looking in. I love dramatic scenery and beautiful locations and am lucky enough to live in one of the most beautiful places in the world. However, my heart often yearns for the countryside of my youth. I could write with the same intensity about the Cornish coast, Welsh valleys, or Scottish highlands. I live in Italy above all because my husband is here. A few years ago we took a trip to Brittany, in France, and I lost my heart to that region. Before we booked the holiday, I was reading a brochure that made me giggle over some of the translations. One description of the Cote d’Armor coast informed me that I would love to “trot myself along the pink the granite cliffs.” Indeed, I loved trotting myself along there. Maybe I could live there one day?

You call your husband an “Italian Action Man.” From “A Whisper on the Mediterranean,” it would seem as if you share a sense of adventure. Were you always adventurous?

Oh, Stephanie, I am not brave or adventurous at all, only very much in love with my husband, who leads me into all sorts of scrapes. I was a tomboy as a child and forever climbing trees—but never getting very high because I am afraid of heights! I sail and fly with Guido (he built a small 2-seater plane in our workshop!), but get tied up in nerves each time. I am, however, very grateful to him because he has introduced me to so many wonderful things that otherwise I would not have tried. Skiing—I do not ski anymore because each time I go I end up injuring myself, as I am not at all sporty. Snorkeling—but I get panicky with the mask over my face. I went up in a hot air balloon and must be the only balloon passenger ever to not to have seen anything of the flight except the inside of the basket and my white knuckles tightly gripping to the edge! With Guido, I have also been to some amazing places and others that I would not want to go back to, such as the cockroach-infested hotel in Kenya. These experiences will surely, one day, be good to write about.

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That’s funny! But I know you are not the first to see only the inside of a hot air balloon basket, I would be the same! My legs would never allow me the courage to stand. I think you are both brave and adventurous, and I love the example you set of loving your husband and being his partner in everything—even if it scares you! But back to your books; being a parent myself, I was alarmed and enthralled reading about your experiences sailing with James when he was a baby. You wrote your fear with such emotion when he almost fell into the engine room that my heart pounded. Knowing what you know now, if you could go back in time—would you do it all over again?

I would not change a thing. It is true that I was scared stiff for James more than once when we were sailing, and questioned my own judgment quite harshly then. Now he is 21, and a very independent and interesting man. I think his early experiences helped to form his unique character. I would not change a thing because my experiences are what make me the person I am now. I can honestly say that I am happier with myself now than I ever was when younger and have no wish to go back in time, either to re-live or to change anything. Just keep the adventures coming. I have become a bit of an adrenalin junkie.

What is some parting information about you and your books, or your life in Italy that you would like readers to take away with them?

What I would like to say to anyone who is wondering about changing their lives but scared about it, is this. Do it. If you don’t, you will always regret not trying. I am so glad that I have had a chance to live an integrated life in another country. Learning another language was a big challenge to me but now I am fluent, although I do still make lots of mistakes and am used to my son and husband rolling their eyes and apologizing for me when I come out with particularly strange sentences. They refer to these mistakes as Toniaisms and find them vastly amusing. My Italian friends are warm and loving, the food and wine here is amazing and the countryside and cities exquisite. The politics, corruption and pollution are terrible but that is true in many other countries too. Everyone should visit Italy at least once in their lives. It is a uniquely wonderful country. I also hope that readers of “The Song of the Cypress” will look at nature differently after reading the book. Maybe they will stop for a while in the shelter of some ancient tree and really take time to look and absorb the beauty around them. If they stay still long enough, maybe they will begin to feel the deep connection that runs through all things. Some call it God, others think of it as the universal spirit that flows through life. I think of it as the song, the entrancing music of the shadow lands—just out of sight, almost impossible to hear but strumming the air with an exquisite melody if you open up your hearts to it.

Thank you, Tonia, for that lovely parting thought. It has put a song in my heart today, and I know your unique books will do the same for your readers.

www.toniaparronchi.com

http://www.amazon.com/Whisper-Mediterranean-Tonia-Parronchi-ebook/dp/B00NMUCIAA/ref=asap_bc?ie=UTF8

http://www.amazon.com/Song-Cypress-Tonia-Parronchi-ebook/dp/B00GNA1TDI/ref=asap_bc?ie=UTF8

http://www.amazon.com/Poppies-Tonia-Parronchi/dp/1523356405/ref=asap_bc?ie=UTF8